Showing posts with label Photographs. Show all posts
Showing posts with label Photographs. Show all posts

Friday, 27 January 2017

New Release: 'States' - Photographs and Field Recordings by Crow Versus Crow



I'm very pleased to be able to present you with a new release of the Crow Versus Crow Editions imprint: States - a collection of photographs and field recordings taken by Crow Versus Crow whilst travelling through some of the southern states of North America during August 2016.

This is presented as a 48 page A5 landscape zine featuring 22 full colour photographs printed on 130gsm silk stock, with a 300gsm recycled card cover, which houses a 3" CDr featuring a single 17 minute composition of raw field recordings.
There are 25 copies available at the cost price of £5 per copy from the Crow Versus Crow Bandcamp.

A digital version, comprised of the States audio and a .pdf version of the zine, for those who prefer their wares ephemeral, is also available priced at £3.

Further contextual material for States can be found below the images.

Thank you for all of your continued support with Crow Versus Crow. It is very much appreciated.


Order a copy now via the Crow Versus Crow Bandcamp




States is not intended as an objective environmental document, rather it is a depiction of an experience of travelling through Texas, Louisiana, Mississippi, Tennessee and Virginia during August 2016, as a tourist, an outsider.

Culturally conditioned experience, a pre-conceived notion of 'America', versus the aesthetic experience of being there in the moment. Simultaneously exotic and familiar. the two overlap uncannily.

Travelling through this part of the country was, very literally, an awesome experience. Expansive, sublime landscapes ripped from the pages of a John Steinbeck novel, the romanticism sharply punctured by anti-abortion billboards and ‘Vote Trump’ bumper stickers, hinting at the incredibly complex layers of history and contemporary socio-political flux beyond, or rather within, the beatific plains.

Overwhelmed by the vastness of the land, following the traces of old Bluesmen and -women through poverty ravaged states. Industry built on exploitation erased, leaving oppressed, isolated inhabitants in it’s wake.

Metronomic broken lines stretch into ephemeral, wavering pools. An eagles soars. ‘Think God’. Static hiss. Cellulose Nitrate film clicks, scratched, bubbled in heat.

'..and they ran in that resonance which is the world itself
and which cannot be spoken but only praised.'


Friday, 4 May 2012

Crow Versus Crow and Posset present... 'SEAWEED OF SILK'


I am incredibly pleased to be able to announce the completion of a collaborative project with Newcastle's finest, Posset, in the form of a 20pp A5 black and white zine/3" CDR release. My contribution is a set of photocollages produced in response to Posset's organic, layered Dictaphone 'humps', made up of various field recordings and basic instrumentation produced with aesthetic consideration of earlier Crow Versus Crow visual work.

You can purchase a copy, for the cost price of £4, by emailing crow_versus_crow(at)hotmail(dot)co(dot)uk.

Here's a video of Posset in action...





I'll also be peddling copies of the zine/3" CDR, and the very last few copies of the previous Crow Versus Crow zine/3"CDR split, at the upcoming Victoria Baths Fanzine Convention on Saturday 19th May at Victoria Baths, Manchester - appropriately themed 'Mass Participation and Collaboration'. More information on that here.


Friday, 30 December 2011

I Am Not A Photographer.

Recently, in preparation for the production of a series of A5 zines (or, a variant of...), I have been out taking a lot of photographs, and have amassed a number that will probably only ever be considered preparatory work. Rather than have these disappear and never be seen by anyone other than myself, I will post a series of sets of photographs over the coming months, with each set showing a particular area of exploration within my work.

The first photographs I will post are taken using a (borrowed) digital SLR camera (a Canon EOS 400d, if that kind of detail is your kind of thing!?). In contrast to the digital collages I have been producing of late, I have set the restriction that there can be no adjustment of the photographs using any software, and the photographs are to be presented 'as is' - mimicking the conditions imposed through analogue photography; well, unless you consider darkroom trickery, which we, erm, won't...

If you want to know anything else about these photographs, then get in touch.

Cheers,

Andy | Crow Versus Crow